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EVC
Mission Statement
Partners
Authors
Patronage
Funding
Newsletter
Objects
Lab
What is an 'Object'?
Collective Memory
Fashion: A Decolonisation Conversation
‘Gender’ in Transcultural Perspectives
World Maps - World Views
CONTENT
EVC and Sustainable Development
Working Documents
Definitions (in German)
Interesting Links
Guideline for contributions
Call for Contributions
EDU
The Power of Traditional Painting in China
Decolonising art curricula in UK
A German Perspective
Transcultural Art Education in Germany
Reflecting joint artistic production
Activities
News
Archive
Publications
Galleries
documenta
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Adinkra Symbols in Ghana
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Beyond Humanism
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Theophilus Kwesi Mensah: Sculptures in the Public Space of Winneba
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Decolonizing Self
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The Nefertiti-Hack
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Walker Evans: Questioning the Canon
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Kenyan Collective Memory
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Figurative Coffin "Nike Trainer (Size 42)", by Paa Joe
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The Adinkra interpretations for the Sustainable Development Goals
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The Akan Colour Reference Scheme
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Footprints on the Ocean Beach
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Yael Kanarek, Heart in Heart, 2004
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Hans Haacke: Der Bevölkerung
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The Studio of Priscilla Kennedy in Kumasi, Ghana, 2021
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Linguist Staff
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Christine de Pizan
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Djaoulérou
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Chinese Style Porcelain
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(A) Male Ruler in European History: The Example of Louis XIV of France
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Two Cities -Two Economies
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Ingolole: The Circumcision Mask of the Tiriki People
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In Praise of ‘Ghana Freedom’
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Vlassis Caniaris, Hopscotch, 1974
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Moulding Tradition
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Kader Attia: Indépendence Tchao (2014)
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Bia Davou, Sails, 1981 – 1982
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Tragic Magic Carpets
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Jacaranda Mimosifolia in full bloom
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Selfie #FeesMustFall
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Persian Pictorial Carpets
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Muslim Cupolas on a Christian Church in Germany?
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Kostis Velonis, Swedish Flying Carpet, 2001
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Luo Traditional Stool “Kom Nyaluo"
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Along the Trade Lines
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Uche Okeke, Christ or Untitled, 1961
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Vilakazi Street: Experiencing Soweto and Mandela House
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Mandela Statue
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Katsushika Hokusai, "Nami-ura" (The Backside of the Wave)
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Albrecht Dürer, Der Zeichner des liegenden Aktes, 1525-28
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The Case of Ndop Royal Fabric
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The Akuaba Doll / Ritual Fertility Doll
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FUNTUMFUNEFU
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KOMA TERRACOTTA FIGURINES
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South African Struggle: T-Shirts as Sites of Resistance
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Logo University Yaounde
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Senzeni Mthwakazi Marasela, Waiting for Gebane
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Arts Education and the Sustainability of Bansuwe Dance in Nigeria
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Mona Hatoum, Fix It, 2004
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How Public are Public Statues?
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Joseph Francis Sumégné, Nouvelle Liberté
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Hong Kong State Theatre
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The "Blue Rider Post"
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South African Flag
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Broken Utopia and the Return of Humanity
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Remember Marikana
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Red Ghanaian Soil
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Searching for a New South African Identity
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Rorke’s Drift Pottery
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Titus Matiyane World Map
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The Day Rhodes Fell
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Conflicting Tensions in Decolonising Proscribed Afrocentric Hair Beauty Culture Standards in Ghanaian Senior High Schools
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A German bowl inscribed in Africa
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Taring Padi: Land, water, earth, call me mother
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Yongli Tang, Dream of Dunhuang
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Left Behind - Land after Mineral Extraction
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Painted Barbershop Panel
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Stowe Landscape Gardens
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William Kentridge, The refusal of time
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Decoloniality and nomad bodies: Diane Victor’s Perpetrator I.
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The Outfit of a Saltner
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Yinka Shonibare CBE (RA), Mrs Pinckney and the Emancipated Birds of South Carolina
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Andreas Kuhnlein in Unterwössen
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Little Mermaid
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The Veranda Post
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Giriama Vigango - An East African Perspective
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El Anatsui, Rising Sea
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Dansinkran Hairstyle
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Social Inclusiveness, Gender Equity, Quality Education in a School Crest
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Michael Armitage: Baboon (on view in the Exhibition "Paradise Edict"at Haus der Kunst Munich, 2020/21)
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Paradiesgärtlein: Little Garden of Paradise
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Atis Rezistans, Installation in the Church St. Kunigundis, Kassel
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Bill Viola, The Raft, 2004
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Kimsooja, Bottari, 2005-2017
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An early Qur’an from Togo at the Museum Fünf Kontinente
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Alexandros Georgiou, Athens, Parthenon, 2007 – 2008
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Ibeji Twin Figures of the Yoruba
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Costas Tsoclis, Portraits, 1986 & Harpooned Fish, 1985
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Senzeni Marasela: Covering Sarah I-V
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Barbie - Sacred Beauty Queens on Afro-Cuban Altars
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The Reunification Monument
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Kente Cloth
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Man Ray, Noire et Blanche
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The ‘Blue Rider Post’
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Historical and Sociocultural Relevance of Royal ‘Ahenema’ Sandals in Asante Culture
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The National Theatre Building of Ghana
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DO-HO SUH, Staircase II, 2004
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Statue of a Pregnant Woman
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Janine Antoni, Slumber, 1994
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Building Social Cohesion through Sport
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The "Monumento al Doge Giovanni Pesaro"
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