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EVC
Mission Statement
Partners
Authors
Patronage
Funding
Newsletter
Objects
Lab
Collective Memory
Fashion: A Decolonisation Conversation
‘Gender’ in Transcultural Perspectives
World Maps - World Views
What is an 'Object'?
CONTENT
EVC and Sustainable Development
Working Documents
Definitions (in German)
Interesting Links
Guideline for contributions
Call for Contributions
EDU
The Power of Traditional Painting in China
Decolonising art curricula in UK
A German Perspective
Transcultural Art Education in Germany
Reflecting joint artistic production
Activities
News
Archive
Publications
Galleries
documenta
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In Praise of ‘Ghana Freedom’
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South African Flag
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Senzeni Marasela: Covering Sarah I-V
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The Adinkra interpretations for the Sustainable Development Goals
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Michael Armitage: Baboon (on view in the Exhibition "Paradise Edict"at Haus der Kunst Munich, 2020/21)
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Ibeji Twin Figures of the Yoruba
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The Studio of Priscilla Kennedy in Kumasi, Ghana, 2021
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The Outfit of a Saltner
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Man Ray, Noire et Blanche
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Hans Haacke: Der Bevölkerung
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Broken Utopia and the Return of Humanity
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Andreas Kuhnlein in Unterwössen
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Titus Matiyane World Map
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Yongli Tang, Dream of Dunhuang
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(A) Male Ruler in European History: The Example of Louis XIV of France
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Yinka Shonibare CBE (RA), Mrs Pinckney and the Emancipated Birds of South Carolina
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Katsushika Hokusai, "Nami-ura" (The Backside of the Wave)
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Uche Okeke, Christ or Untitled, 1961
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Vincent Akwete Kofi’s ‘Crucifix’
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Hong Kong State Theatre
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Painted Barbershop Panel
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Christine de Pizan
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Chinese Style Porcelain
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Adinkra Symbols in Ghana
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Decoloniality and nomad bodies: Diane Victor’s Perpetrator I.
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Logo University Yaounde
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KOMA TERRACOTTA FIGURINES
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South African Struggle: T-Shirts as Sites of Resistance
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Conflicting Tensions in Decolonising Proscribed Afrocentric Hair Beauty Culture Standards in Ghanaian Senior High Schools
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Figurative Coffin "Nike Trainer (Size 42)", by Paa Joe
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Ingolole: The Circumcision Mask of the Tiriki People
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Beyond Humanism
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Djaoulérou
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The Akuaba Doll / Ritual Fertility Doll
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Mandela Statue
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Giriama Vigango - An East African Perspective
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Luo Traditional Stool “Kom Nyaluo"
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Statue of a Pregnant Woman
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Tragic Magic Carpets
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Left Behind - Land after Mineral Extraction
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Paradiesgärtlein: Little Garden of Paradise
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The "Monumento al Doge Giovanni Pesaro"
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The Nefertiti-Hack
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The Reunification Monument
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Walker Evans: Questioning the Canon
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Dansinkran Hairstyle
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Footprints on the Ocean Beach
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Arts Education and the Sustainability of Bansuwe Dance in Nigeria
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The Day Rhodes Fell
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Taring Padi: Land, water, earth, call me mother
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The Akan Colour Reference Scheme
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Two Cities -Two Economies
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Stowe Landscape Gardens
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Moulding Tradition
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FUNTUMFUNEFU
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Selfie #FeesMustFall
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How Public are Public Statues?
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Kente Cloth
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Decolonizing Self
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Jacaranda Mimosifolia in full bloom
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Atis Rezistans, Installation in the Church St. Kunigundis, Kassel
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Kenyan Collective Memory
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Linguist Staff
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Muslim Cupolas on a Christian Church in Germany?
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Historical and Sociocultural Relevance of Royal ‘Ahenema’ Sandals in Asante Culture
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Red Ghanaian Soil
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Building Social Cohesion through Sport
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Remember Marikana
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Vilakazi Street: Experiencing Soweto and Mandela House
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El Anatsui, Rising Sea
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Barbie - Sacred Beauty Queens on Afro-Cuban Altars
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A German bowl inscribed in Africa
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Social Inclusiveness, Gender Equity, Quality Education in a School Crest
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The Case of Ndop Royal Fabric
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Along the Trade Lines
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The Veranda Post
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Rorke’s Drift Pottery
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William Kentridge, The refusal of time
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Searching for a New South African Identity
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The ‘Blue Rider Post’
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Little Mermaid
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Senzeni Mthwakazi Marasela, Waiting for Gebane
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Persian Pictorial Carpets
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The National Theatre Building of Ghana
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The "Blue Rider Post"
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Theophilus Kwesi Mensah: Sculptures in the Public Space of Winneba
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