EVC
Mission Statement
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Newsletter
Objects
Lab
Collective Memory
Fashion: A Decolonisation Conversation
‘Gender’ in Transcultural Perspectives
World Maps - World Views
What is an 'Object'?
CONTENT
EVC and Sustainable Development
Working Documents
Definitions (in German)
Interesting Links
Guideline for contributions
Call for Contributions
EDU
The Power of Traditional Painting in China
Decolonising art curricula in UK
A German Perspective
Transcultural Art Education in Germany
Activities
News
Archive
Publications
Galleries
Museum interventions, Brazil - Germany, 2022
Virtual Collective Memory Exhibition 2022
Light Soup, Kumasi, Ghana 2021
Priscilla's studio, Kumasi, Ghana 2021
Munich, Germany 2021: BACK COUPLING
Museum Fünf Kontinente 2021: Perspectives from Ghana
Douala 2020: COLLECTIVE & NATIONAL MEMORY
documenta
EVC
Mission Statement
Partners
Authors
Patronage
Funding
Newsletter
Objects
Lab
Collective Memory
Fashion: A Decolonisation Conversation
‘Gender’ in Transcultural Perspectives
World Maps - World Views
What is an 'Object'?
CONTENT
EVC and Sustainable Development
Working Documents
Definitions (in German)
Interesting Links
Guideline for contributions
Call for Contributions
EDU
The Power of Traditional Painting in China
Decolonising art curricula in UK
A German Perspective
Transcultural Art Education in Germany
Activities
News
Archive
Publications
Galleries
Museum interventions, Brazil - Germany, 2022
Virtual Collective Memory Exhibition 2022
Light Soup, Kumasi, Ghana 2021
Priscilla's studio, Kumasi, Ghana 2021
Munich, Germany 2021: BACK COUPLING
Museum Fünf Kontinente 2021: Perspectives from Ghana
Douala 2020: COLLECTIVE & NATIONAL MEMORY
documenta
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Remember Marikana
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Hong Kong State Theatre
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Moulding Tradition
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Senzeni Mthwakazi Marasela, Waiting for Gebane
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Social Inclusiveness, Gender Equity, Quality Education in a School Crest
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The Veranda Post
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Left Behind - Land after Mineral Extraction
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Yinka Shonibare CBE (RA), Mrs Pinckney and the Emancipated Birds of South Carolina
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A German bowl inscribed in Africa
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El Anatsui, Rising Sea
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Paradiesgärtlein: Little Garden of Paradise
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Figurative Coffin "Nike Trainer (Size 42)", by Paa Joe
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Along the Trade Lines
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In Praise of ‘Ghana Freedom’
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Beyond Humanism
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Decoloniality and nomad bodies: Diane Victor’s Perpetrator I.
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Dansinkran Hairstyle
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Luo Traditional Stool “Kom Nyaluo"
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Chinese Style Porcelain
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Red Ghanaian Soil
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Mandela Statue
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The "Blue Rider Post"
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Vilakazi Street: Experiencing Soweto and Mandela House
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Walker Evans: Questioning the Canon
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The Reunification Monument
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Ibeji Twin Figures of the Yoruba
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South African Struggle: T-Shirts as Sites of Resistance
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Andreas Kuhnlein in Unterwössen
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Christine de Pizan
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Tragic Magic Carpets
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Historical and Sociocultural Relevance of Royal ‘Ahenema’ Sandals in Asante Culture
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Yongli Tang, Dream of Dunhuang
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(A) Male Ruler in European History: The Example of Louis XIV of France
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Ingolole: The Circumcision Mask of the Tiriki People
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Logo University Yaounde
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Painted Barbershop Panel
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Djaoulérou
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KOMA TERRACOTTA FIGURINES
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Giriama Vigango - An East African Perspective
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The National Theatre Building of Ghana
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Stowe Landscape Gardens
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The Adinkra interpretations for the Sustainable Development Goals
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Hans Haacke: Der Bevölkerung
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Jacaranda Mimosifolia in full bloom
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South African Flag
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Adinkra Symbols in Ghana
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William Kentridge, The refusal of time
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The Nefertiti-Hack
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The Case of Ndop Royal Fabric
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Man Ray, Noire et Blanche
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The Day Rhodes Fell
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Decolonizing Self
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Rorke’s Drift Pottery
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The Akuaba Doll / Ritual Fertility Doll
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The Outfit of a Saltner
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Footprints on the Ocean Beach
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Persian Pictorial Carpets
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FUNTUMFUNEFU
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Muslim Cupolas on a Christian Church in Germany?
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Kenyan Collective Memory
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Atis Rezistans, Installation in the church St. Kunigundis, Kassel
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Barbie - Sacred Beauty Queens on Afro-Cuban Altars
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Kente Cloth
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Michael Armitage: Baboon (on view in the Exhibition "Paradise Edict"at Haus der Kunst Munich, 2020/21)
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Senzeni Marasela: Covering Sarah I-V
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Building Social Cohesion through Sport
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Linguist Staff
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Katsushika Hokusai, "Nami-ura" (The Backside of the Wave)
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Selfie #FeesMustFall
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How Public are Public Statues?
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Searching for a New South African Identity
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Uche Okeke, Christ or Untitled, 1961
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The "Monumento al Doge Giovanni Pesaro"
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The Akan Colour Reference Scheme
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Little Mermaid
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Titus Matiyane World Map
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Broken Utopia and the Return of Humanity
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Arts Education and the Sustainability of Bansuwe Dance in Nigeria
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Two Cities -Two Economies
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The ‘Blue Rider Post’
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Statue of a Pregnant Woman
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Conflicting Tensions in Decolonising Proscribed Afrocentric Hair Beauty Culture Standards in Ghanaian Senior High Schools
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Vincent Akwete Kofi’s ‘Crucifix’
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