Objects
Selasi Awusi Sosu

Paa Joe
2015
Wood, oil paint, synthetic fiber, foam, rubber thread
72 cm x 57 cm x 155 cm
Origin: Ghana; exhibited at Museum Fünf Kontinente, Munich
Museum Fünf Kontinente München

Collections, Collisions, Connections: The story of the three C’s

Munich 201911 0 det      

 This contribution is part of the gallery                                                                                 

  Perspectives from Ghana on Museum Objects in Germany

 

Since the unfortunate and untimely death of my dear mother in 2012, I have found myself on a number of occasions, pondering about the thin line between life and death. As an artist, the fantasy coffins of internationally renowned artists like Kane Kwei and Paa Joe have fascinated my students and I in Ghana, and have been the reason for class excursions from Winneba to Accra.

 

Seeing the "Nike Coffin in the Museum Fünf Kontinente in Munich brought many worlds together in my mind! Ghana, Germany (and their cultures of preservation); life, death (and rituals of celebrating them). The paradoxes that are embedded in all of this leapt at me as I beheld the fantasy "Nike Coffin" made by renowned Ghanaian artist Paa Joe  on European soil. The daughter of a disciplinarian Head teacher and a teacher herself, my late mother's simple oak coffin contrasts Paa Joe´s exaggerated "Nike coffin". Yet, they're both united by the eternal fact of death.

 

I recollect the extraordinary encounter of Dr. Stefan Eisenhofer as he was in Nigeria, genuinely collecting African art to educate the world! As Dr. Eisenhofer explained, it was a near-death personal experience in the line of duty, which thankfully later on, culminated in a "friendly" and calming exchange with his captor on the subject of soccer and later on, art.

 

So, Ghana, Germany, soccer, art, life and death and more, were all mashed up in my mind on my first visit to the home of the famous Bayern Munich soccer team, on an "Exploring Visual Cultures" project trip for art education.

 

Selasi Awusi Sosu

 

 

published January 2021